Andersson, Knut. At the Times of Jan van Eyck and the "Housebook Master" Albrecht Durer the Elder. 2008.
Опись А, №40479.
Размещена на сайте http://www.artresearch.se. Cайт создан не позднее 2008 г., в 2010 г. книга ещё издана не была.
Contents
Introduction 7
Jan van Eyck as Miniature Painter at the French Court 13
Festivities in the Circle of Dauphin Louis, Duke of Guyenne 13
The April, May and August Miniatures in the Tres riches heures 17
The Court Painter Haincelin Identified with Jan van Eyck 21
Jan van Eyck Among Contemporary Master Miniaturists 25
Jan van Eyck and Jacques Coene (?Jacquemart de Hesdin`?) 29
The Master of the Rohan Book of Hours Identified 35
Hubert van Eyck, Robert Campin and the Ghent Altarpiece.
Misunderstandings and Falsifications 40
The Adoration of the Lamb Witnessed 40
Robertus – Elder Brother of Jan 45
The Very First Identified Contemporary Description of a Painting
by Jan van Eyck 51
Jan van Eyck?s Innovation of Passport Portraits in Oil 55
Early Netherlandish Portrait Paintings Reconsidered 59
Jan van Eyck?s Portrait of Arnold, Duke of Guelders,
and the Arnolfini Misunderstandings 67
Duchesses of Cleves and Books of Hours 74
Plaidoirie d?amours 74
The Hours of the Cleves Sisters 81
Jean Fouquet and Early Portrait Painting 86
Young and Famed in Florence 86
Painter of Kings and Courtiers 91
A ?Cologne? Master Who Probably Wasn?t There 97
In Search of the Master of the Medieval Housebook 102
Collectors of Housebook Manuscripts 102
Courtly Festivities Remembered 111
The Creator of the Housebook Style Identified 117
A Travelling Young Genius 117
At the Perfection of Metal Engraving 129
The Question of Different Hands 135
Lienhart Holl and Albrecht Durer the Younger 147
Early Woodcut Illustrated German Incunabula 147
The Lubeck Connection 155
At the Journey?s End 163
List of Illustrations 173
Cчитает, что Часослов Роганов создан Andrе Beauneveu. На портрете "Арнольфини" на самом деле Arnold of Guelders, герцог. В реестрах он "Arnould fin". Возможно, с Маргаритой, сестрой Ван Эйков. Портрет написан не Ван Эйком, а в 1451 г., когда герцог паломничал в Палестину, возможно, ван дер Вейденом - в Италии в 1450 г.
Первый портрет маслом в Лондонской национальной галерее - не Робер Кампен, а Николай Кузанский, это конец 1440-х.
